I shall broach unto thee a dark farewell
If not ye heed this ghastly knell –
Henceforth beware where time is keeping
The dead abroad who are not sleeping…
Thus begins R.L. McCallum’s Victorian gothic tale of Professor Alexander Greystone, a writer from London who moves to a haunted cottage in Hampshire, England for a more peaceful, simple life. Little does he suspect the terror that awaits there in the form of the seven Hawthorne sisters, former tenants of the cottage who haunt the house and whose contact with the living is rife with terror and violence. The novel follows Greystone’s investigations into the root of paranormal activities at Hawthorne Cottage, bringing the reader through a gamut of close calls, near-death and (full-death!) experiences, a haunted painting, and ignorant curious bystanders until it comes to its conclusion and the reader finds out whodunit.
The plot was imaginative and enjoyable, the perfect story for a rainy day, and I finished this book in less than a week, which is always a good thing. It holds the attention of the reader in most places, but I did find it to drag too slowly in several instances. The author claimed to have purposely used Victorian vernacular in writing this piece, but I found a few anachronisms, and at times the character voices were not very distinguishable from one another, especially those of Professor Greystone and Constable Kingsley. Other than that, however, the description was excellent and the dialogue between Greystone and Woodruff was especially good.
I enjoyed the classic elements of the gothic novel, the rain, the ruined cottage, the hauntings, a few deaths. I was slightly disappointed that the nature of Mrs. Parmby’s relationship to the Hawthorne sisters was not further explored, and I felt Miss Farnsworth was not prominent enough a character to be included as she is in the synopsis of the book. I also wondered why, if Anastasia Hawthorne were pregnant when she died, was there no baby among the hauntings at Hawthorne Cottage? The conclusion had promise, and then fell short. The mystery of the killer of the Hawthorne sisters was solved, but Abigail Hawthorne had not been helped to the other side, nor did Greystone discover where she had been laid to rest. The reader, however, is told in what feels like an aside, of how Abigail is brought to peace and where her body had been hidden all along. It felt untrue to Alexander’s character that he would muscle through so many near-death escapes at Hawthorne Cottage to get to the bottom of the mystery, all for the sake of writing his book, which is a very strong motive, and then not give himself the satisfaction of tying up the loose ends for himself and his readers, especially when the other spirits were no longer causing trouble in the house to distract him. I also felt that the death of Cora McKenna was unnecessary, unless the trend of women dying in whom Alexander is interested is to continue in further Professor Greystone novels, as was hinted at in several places throughout the book.
‘The Gothic’ – Check out this link for an explanation of the genre of gothic literature
Grammar & Punctuation
I found there to be several small grammar and punctuation errors, but nothing that hindered the actual progression of the book, and all in all I quite enjoyed this spooky story.
For an excellent ghost story (but because of a few too many hitches) I give this book a resounding 3.5 stars out of 5 and recommend it as a satisfying read for a rainy day or a weekend at the cabin.